Image of John Kinsella

Australian John Kinsella has written over 20 books of poetry, as well as plays and fiction; he also maintains an active literary career as a teacher and editor. Kinsella’s poetry is both experimental and pastoral, featuring the landscape of Western Australia. Paul Kane observed in World Literature Today, “In Kinsella’s poetry these are lands marked by isolation and mundane violence and by a terrible transcendent beauty.” Kinsella’s recent books include Firebreaks (2016), Drowning in Wheat: Selected Poems (2016), Insomnia (2019), and the critical work Legibility: An Antifascist Poetics (Palgrave, 2022).

In his “Alternative Biography,” Kinsella describes himself as “a supporter of worldwide indigenous rights, and an absolute supporter of land rights.” He has been a “vegan anarchist pacifist” for 33 years. 

Kinsella has received many awards for his poetry, including the Western Australian Premier’s Book Award and the John Bray Award for Poetry from the Adelaide Festival; he has won fellowships from the Literature Board of the Australia Council.

Kinsella has taught at universities in Australia and at Kenyon College in the United States. Founding editor of the journal Salt in Australia, he serves as international editor at the Kenyon Review. His interviews with other writers and selections of his poetry can be found on his website.

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Bibliography

POETRY

  • The Frozen Sea, Zeppelin Press, 1983.
  • Night Parrots, Fremantle Arts Centre Press (South Fremantle, Western Australia), 1989.
  • The Book of Two Faces, PICA (Perth), 1989.
  • (With Philip Salom) Poems, Folio (Applecross, Western Australia), 1991.
  • Eschatologies, Fremantle Arts Centre Press, 1991.
  • (With Anthony Lawrence) Ultramarine: Poems, Folio, 1992.
  • Full Fathom Five, Fremantle Arts Centre Press, 1993.
  • Syzygy, Fremantle Arts Centre Press, 1993.
  • The Silo, a Pastoral Symphony, Fremantle Arts Centre Press, 1995.
  • Erratum/ Frame(d), Folio/Fremantle Arts Centre Press, 1995.
  • (With Tracy Ryan) Intensities of Blue, Folio, 1995.
  • The Radnoti Poems, Equipage (Cambridge, England), 1996.
  • Anathalamion, Poetical Histories, 1996.
  • The Undertow: New and Selected Poems, Arc, 1996.
  • Lightning Tree, Fremantle Arts Centre Press, 1996.
  • Poems, 1980-1994, Fremantle Arts Centre Press, 1997.
  • Graphology, Equipage, 1997.
  • (With Susan Schultz) voice-overs, Tinfish Network (Hawaii), 1997.
  • The Hunt, Fremantle Arts Centre Press, 1998.
  • Kangaroo Virus, with photographs by Ron Sims, Fremantle Arts Centre Press, 1998.
  • Sheep Dip, Wild Honey Press (Wicklow, Ireland), 1998.
  • (With Keston Sutherland) Pine, Folio, 1998.
  • alterity: poems without tom raworth, x-poezie (New York City), 1998.
  • The Benefaction, Equipage, 1999.
  • Fenland Pastorals, Prest Roots Press (Warwickshire), 1999.
  • Visitants, Bloodaxe, 1999.
  • Counter-Pastoral, Vagabond (Sydney), 1999.
  • (With Coral Hull), Zoo Poems, Paper Bark (Sydney), 1999.
  • (With Dorothy Hewett), Wheatlands, Fremantle Arts Centre Press, 2000.
  • Zone (e-book), Fremantle Arts Centre Press, 2000.
  • The Hierarchy of Sheep, Bloodaxe, 2000.
  • Auto, salt Publishing (Applecross, Australia), 2001.
  • Peripheral Light: Selected and New Poems, selected by Harold Bloom, W. W. Norton (New York, NY), 2004.
  • The New Arcadia: Poems, W. W. Norton (New York, NY), 2005.

EDITOR

  • The Bird Catcher's Song, Salt (Applecross, Western Australia), 1992.
  • A Salt Reader, Folio, 1995.
  • Salt Volume 12, Salt, 2000.
  • Rodney Hall, New & Selected Poems, Paper Bark, 2001.

Consulting editor, Westerly, University of Western Australia; editor, Prism (special Australian feature); editor, with Joseph Parisi, Poetry (Chicago, special Australian double issue), 1996; editor, Kunapipi (special English-language poetry issue), December, 1998; editor, with Peter Forbes, of Poetry Review (special Australian poetry issue), April, 1999; editor Literary Review (special Australian issue), 2001- 02.

OTHER

  • Genre (novel), Fremantle Arts Centre Press, 1997.
  • Grappling Eros (short fiction), Fremantle Arts Centre Press, 1998.
  • Crop Circles (five-act play), first produced by Marlowe Society, Cambridge, England, 1998.
  • (With Tracy Ryan) Smith Street (three-act play), produced at University of Western Australia, 2001.